My current series depicts an Earth going off the rails, populated by troubled characters. I examine the human condition and portray the existential hell of individuals on the brink of breakdown, trapped in repetitive routines and subjected to absurd constraints. The geometry of the series is built around recurring lines (wall patterns, tiles, furniture, railings, hedges...), creating a sense of confinement around the characters, but also tracing overlooked paths and possibilities they fail to see. Through its rigour, it offers an ironic counterweight to the psychological chaos engulfing them.

Dominated by blue - a deceptively restrained blue infiltrated by red and charged with a latent violence ready to erupt - the series turns the home and domestic spaces, and, by extension, intimate and family relationships, into a territory of tension where reality gradually begins to falter, in step with human unravelling.