Sophie-Gaëlle Martin
• TANGY WORLDS ON THE EDGE •
Existential Vertigo & Pop Culture
Narrative Figuration • Surrealism • Symbolism • Oil painting

Sophie-Gaëlle Martin, or Sofigael M., is a French contemporary multidisciplinary artist, painter and draftswoman.
In the lineage of narrative figuration, her oil paintings, social critiques infused with dark humor, draw on pop culture and the graphic codes of the 1970s–1980s.
“Nothing will ever be the same again.”
Through scenes blending surrealism and symbolism, Sofigael M. explores existential anxiety and captures the tipping point of intimate dramas or collective catastrophes.
Tangy worlds on the Edge
In Sofigael M.'s paintings, nothing bursts forth directly; everything takes place in the suspended moment and silent tension. But the lightheartedness is illusory: this moment of hovering marks a point of no return.


Pop Culture
Her bittersweet graphic narratives, with precise lines and tangy and contrasting colors, portray disillusioned characters, their gazes haunted by events that hint at tragedy.
Resilient, her heroines and heroes nevertheless always display, despite adversity, that certain brazen and sexy je-ne-sais-quoi of the No Future spirit of the late 20th century.
Existential Vertigo & Ends of Worlds
By confronting her characters with the collapse of the systemic or psychological structures that kept them in a certain form of alienation, Sofigael M. probes the human psyche and its search for meaning.
She questions the notions of science, belief, and the irrational, exploring threshold states and cognitive liminal spaces, at the edge of reality, between projection and the perception of reality.


In the series Les Utopies extrasolaires and the sub-series Nebula Bay, the artist explores dystopian universes inspired by science fiction and cosmology, a kind of contemporary Twilight Zone, where exoticism is merely a deceptive backdrop, hiding the disaster that simmers beneath. Ecology serves as the guiding thread.
In her new series, Fractals under Surreal Constraints, it is a return to Earth. Sophie-Gaëlle Martin examines the human condition and depicts the existential hell of characters on the verge of breaking, trapped in a repetitive daily life and subjected to absurd constraints.
Unstable acrobats suspended between two worlds, these beings ultimately fracture and tip into an alternative reality.
