{"id":2086,"date":"2023-08-03T11:49:31","date_gmt":"2023-08-03T09:49:31","guid":{"rendered":"https:\/\/www.sofigael-m.art\/?page_id=2086"},"modified":"2026-04-11T12:34:32","modified_gmt":"2026-04-11T10:34:32","slug":"demarche-artistique","status":"publish","type":"page","link":"https:\/\/www.sofigael-m.art\/en\/demarche-artistique\/","title":{"rendered":"Statement"},"content":{"rendered":"\n

D\u00e9marche artistique<\/h2>\n\n\n\n

Les mondes acidul\u00e9s de Sofigael M.<\/h2>\n\n\n\n

Figuration narrative \u2022 Surr\u00e9alisme \u2022 Symbolisme<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"Les<\/figure>
\n

Dans la lign\u00e9e de la figuration narrative<\/strong>, les peintures \u00e0 l’huile de Sophie-Ga\u00eblle Martin, critiques sociales teint\u00e9es d’humour noir<\/strong>, sont nourries par la Pop culture<\/strong> et les codes graphiques des ann\u00e9es 1970-1980<\/strong>.

\u00c0 travers des sc\u00e8nes surr\u00e9alistes \u00e0 la l\u00e9g\u00e8ret\u00e9 illusoire, l’artiste met en images l\u2019angoisse existentielle<\/strong> et raconte l\u2019\u00e9tat liminal<\/strong>, l\u2019instant suspendu et l\u2019inconscience qui entourent les trag\u00e9dies.

Elle fige le point de bascule <\/strong>des drames intimes ou des catastrophes collectives, lorsque le r\u00e9el se fissure et que le monde familier glisse vers une dimension inconnue<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
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Pop Culture<\/p>\n\n\n\n

<\/p>\n\n\n\n

Enfant de la g\u00e9n\u00e9ration X<\/strong>, Sofigael M. a grandi en pleine vague Disco<\/strong>, New Wave<\/strong> et Punk<\/strong>, sur la bande-son de The Supremes<\/a>, The Alan Parsons Project<\/a>, Depeche Mode<\/a>, Blondie<\/a> et David Bowie<\/a>.

Sa jeunesse est rythm\u00e9e par les lectures des romans d\u2019anticipation de la collection de science-fiction<\/strong>  Pr\u00e9sence du Futur<\/em><\/a>, et par les images des premiers films de Steven Spielberg<\/a>, John Carpenter<\/a> ou Robert Zemeckis<\/a>.<\/p>\n\n\n\n

Ces influences musicales, litt\u00e9raires et cin\u00e9matographiques nourrissent ses compositions pleines de symboles, aux couleurs acidul\u00e9es <\/strong>et contrast\u00e9es<\/strong>, typiques de la culture Pop<\/strong> et du design des ann\u00e9es 1970 <\/strong>et 1980<\/strong>.<\/p>\n<\/div>

\"Summerwaves<\/a><\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n
\"La<\/a><\/figure>
\n

Mondes acidul\u00e9s au bord de la bascule<\/p>\n\n\n\n

<\/p>\n\n\n\n

Dans ses r\u00e9cits <\/strong>graphiques doux-amers<\/strong>, Sophie-Ga\u00eblle Martin dresse les portraits de personnages d\u00e9sabus\u00e9s, aux regards hant\u00e9s par des \u00e9v\u00e9nements tragiques.

R\u00e9silients, ses h\u00e9ro\u00efnes et h\u00e9ros arborent cependant toujours, malgr\u00e9 l\u2019adversit\u00e9, ce je-ne-sais-quoi d\u2019insolent et sexy du \u00ab No Future<\/strong> \u00bb de la fin du 20e si\u00e8cle<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

Vertige existentiel & Fin(s) du monde<\/p>\n\n\n\n

Notre univers se brise, le danger est l\u00e0, la catastrophe est imminente, la trag\u00e9die couve. On est sur le point de basculer dans l\u2019inconnu.

\u00ab Plus rien ne sera jamais comme avant. \u00bb
<\/strong>
En confrontant ses personnages \u00e0 l\u2019effondrement des structures syst\u00e9miques ou psychologiques qui les maintenaient dans une certaine forme d\u2019ali\u00e9nation, Sophie-Ga\u00eblle Martin sonde la psych\u00e9 humaine<\/strong> et sa qu\u00eate de sens<\/strong>.<\/p>\n\n\n\n

Elle interroge les notions de science, de croyance et d\u2019irrationnel, en explorant les \u00e9tats limites<\/strong> et les espaces liminaux<\/strong> cognitifs, \u00e0 la fronti\u00e8re du r\u00e9el, dans la zone grise<\/strong> entre projection et perception de la r\u00e9alit\u00e9<\/strong>.<\/p>\n<\/div>

\"Le<\/a><\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

<\/span><\/strong><\/h2>\n\n\n\n
\"L'arriv\u00e9e<\/a><\/figure>
\n

Les Utopies extrasolaires<\/p>\n\n\n\n

<\/p>\n\n\n\n

Dans la s\u00e9rie Les Utopies extrasolaires<\/strong><\/em>, et la sous-s\u00e9rie Nebula Bay<\/em><\/strong>, Sofigael M. explore des univers dystopiques<\/strong> nourris par la science-fiction et la cosmologie, sorte de Twilight Zone<\/strong><\/em> contemporaine, o\u00f9 l\u2019exotisme <\/strong>n\u2019est qu\u2019un d\u00e9cor trompeur, dissimulant le d\u00e9sastre qui couve.

L\u2019\u00e9cologie <\/strong>– changement climatique, s\u00e9cheresses, disparition des abeilles, temp\u00eates ou tsunamis – en forme le c\u0153ur th\u00e9matique. De sc\u00e8ne en sc\u00e8ne, se d\u00e9ploie le r\u00e9cit d\u2019un monde saisi \u00e0 l\u2019or\u00e9e des catastrophes environnementales<\/strong>.
<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

Fractales sous contraintes surr\u00e9alistes<\/p>\n\n\n\n

<\/p>\n\n\n\n

Dans sa nouvelle s\u00e9rie, les Fractales sous contraintes surr\u00e9alistes<\/em><\/strong>, c\u2019est le retour sur Terre, une Terre qui d\u00e9raille, peupl\u00e9e de personnages tourment\u00e9s.

Sophie-Ga\u00eblle Martin explore la condition humaine<\/strong> et d\u00e9peint l\u2019enfer existentiel<\/strong> d’individus au bord de la rupture, englu\u00e9s dans un quotidien r\u00e9p\u00e9titif et soumis \u00e0 des contraintes absurdes.<\/p>\n<\/div>

\"Monday<\/a><\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n
\"Hopeless<\/a><\/figure>
\n

Cette s\u00e9rie, \u00e0 dominante bleue <\/strong>– un bleu faussement sage, infiltr\u00e9 de rouge, charg\u00e9 d\u2019une violence sourde pr\u00eate \u00e0 surgir – fait de la maison <\/strong>et des espaces domestiques (cuisine, salon, salle de bain, jardin\u2026) un territoire de tension o\u00f9 le r\u00e9el finit par vaciller, \u00e0 la mesure de la d\u00e9rive des \u00eatres.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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